firthgal: (damian - expressive pants)
[personal profile] firthgal
Tagged by my love, [livejournal.com profile] tinted_glass:

1. go to the fourth folder on your computer where you store your pictures,
2. pick the fourth picture in that folder,
3. explain the picture,
4. tag four people to do the same - I tag [livejournal.com profile] michellek, [livejournal.com profile] shantirosa, [livejournal.com profile] caffyolay, [livejournal.com profile] teamkaren (I will be shocked if TK's pic isn't porn, by the way)

Oh god, how utterly SHAMEFUL that it happened to land on this pic:



Charthur!!!! [livejournal.com profile] 15lbpurebunny had practically challenged me to do it. Really. She did. Posting a picture of Charlie Crews in that position is just begging to be photoshopped into some sweet sweet manlove. Or... suggestive puppeteering? Ahahaha, OH GOD! It was slapped together in about 2 minutes and looks so ridiculous, but it amused me greatly.

While we're on the subject of Damian Lewis, hello Mr. Bulgey. *dies*

Fact: The big opera scene at the end of Repo? Possibly the most brilliant scene ever. Well, not the intro to the opera, that's just gratuitous for gratuity's sake and probably the only part of the film that I don't like, but the bit where Nathan shows up. OMG, I LOVE IT! SO MUCH! I always have to watch the whole scene.



They torture him so thoroughly both emotionally and physically that it freaking KILLS ME. And the physical stuff barely phases him. It's the emotional stuff that metaphorically brings him to his knees (even though, you know, the physical stuff had already physically brought him to his knees). But god, the bit where even the audience is like, "TELL HER TELL HER" and Nathan is so desperate to keep his little girl's love and he's so tortured as he screams, "Let's leave, let's leave, LET'S LEAVE!" and even though he's restrained and Shilo no longer trusts him, he needs that belief that they can still get out of there and go back to the way things were, because that's his entire life, and without it, he's dead anyway. AND OH GOD IT KILLS ME HOW SHILO DOESN'T GO TO HIM! She wants to but doesn't, because she wants to know what's going on and she knows Nathan would never tell her. AND NATHAN IS SO DEVASTATED! And he finally tells her, and he finally realizes that what he did was wrong and he's just lost in this pool of guilt and fear of losing his baby girl, and Shilo is so lost because her father was her everything and now she has all these other voices telling her he's a monster and through her blackout, she's seeing him protect her, she's hearing him telling her that he loves her and that she's his world, and even through her memory of the slap she can still faintly hear his caring voice, and the last vision she sees is him protecting her in his Repo uniform, and she just CAN'T see him as a monster, because no matter what, he was always there to love and protect her, and in the end, this love is his salvation, because Shilo loves him just as fiercely and she understands why he did what he did, even if she's angry at him for doing it. And gah, I LOVE THAT SCENE SO MUCH! THE LOVE! OOOOH, THE LOVE!



He's finally at peace, because Shilo's love is all that matters to him. He's been released from his prison of guilt because Shilo still loves him. She's seen the monster in him, and she still loves him. IT IS SO BEAUTIFUL, YOU GUYS! *cries*
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